Masterworks 3 Fri: Majestic Bruckner
November 17 @ 7:30 pm
This concert program emotionally resonates with the juxtaposition of lightness and darkness and highs and lows, through brilliant music and voices, with works by Anton Bruckner and Morten Lauridsen.
Morten Lauridsen‘s Lux Aeterna (“eternal light” in Latin) is a deeply moving expression of grief and mercy. The piece, written by Lauridsen in the year of his mother’s death, often calls comparison to requiems by Gabriel Fauré and Johannes Brahms, but firmly and deservedly holds its own. The five movements, each referencing light, make up a choral cycle interspersed with familiar moments from the traditional Catholic Requiem Mass. The CSO Chorus and the College of Charleston Choir will join the orchestra for this meaningful, profound choral masterpiece.
There are few people who can claim to have a nickname created exclusively for them by Leonard Bernstein. Maestro Carl St.Clair, who grew up in Texas, is one. St.Clair, called “Cowboy” by the great conductor, was a young conducting student when he became a mentee and friend of Bernstein’s. St.Clair became an assistant conductor with the Boston Symphony for several years, held other top posts and guest conducted around the world, and is now in his fourth decade as music director of the Pacific Symphony.
There is no denying that Anton Bruckner was an innovative composer, even if his works were inspired by the musical masters (Beethoven and Wagner, most commonly). Bruckner’s Symphony No. 7 unfolds mysteriously but exquisitely from its first notes. The tension continues to rise and fall through all four movements; all the while, the instruments are expertly interplayed during the highs and lows, keeping the work pleasant and balanced. For the listener, the proportions are vast but united musical expressions, and one can imagine how they stretched the boundaries of music in his time.